Film Matters here highlights the TOC of 16.1, edited by students at the University of North Carolina Wilmington, which marks our first issue of 2025, as well as the first issue supported by the University of Utah. In this issue, you will find the following peer-reviewed articles:
- Alice Rohrwacher, Witness to the Miraculous: Employing Italo-Catholic Surrealism by Kate Burney
- Exploring Elusive Identities in Wong Kar-wai’s Happy Together by Lydia Fraser
- Vertigo: Beyond the Pleasure Principle? by Crystal Irwin-Childs
- Before, After, and the Spaces in Between: An Exploration of Memory in Aftersun by Nadiya Jean McFadden
- The Emergent Universality of Satyajit Ray’s Apu Trilogy by Sam Powers
- The Monstrous Woman: Julia Ducournau and Feminist Counter-Cinema by Isabella Trevisan
These book reviews:
- Marlene Dietrich: A Life Uncovered Through Words and Images by Daisy Adderley
- The Deer Hunter, Brad Prager (2023) by Austin Rambo
- The Needle and the Lens: Pop Goes to the Movies from Rock ‘n’ Roll to Synthwave, Nate Patrin (2023) by Hannah Robinson
- Videographic Cinema, Jonathan Rozenkrantz (2022) by Ruby Schweitzer
- The Cinema of Powell and Pressburger, Nathalie Morris and Claire Smith, eds. (2023) by Sam Taunton
And, to round out the issue, some DVD/Blu-ray reviews:
- La Cérémonie (1995) by Sophie Durbin
- Lynch/Oz (2022) by Sylvia Felice Docker
- Éric Rohmer’s Tales of the Four Seasons (1990–1998) by Laura Marcy
We’re proud of all our authors! For more information about this issue, please visit:
https://intellectdiscover.com/content/journals/fm/16/1
Are you an undergraduate author who wants to be published in Film Matters? Then we want to work with you! Please check out all the different ways you can publish with us.
