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CFP 17.2: “Excess”
Film Matters is pleased to announce Chapman University’s CFP 17.2 for their sixth special issue; this year’s theme is “Excess.” Submissions from undergraduates and recent graduates are encouraged for consideration in issue 17.2 (2026). The deadline for submissions is February 1, 2026. As a reminder, Film … Continue reading
Exploring the Human Experience Through Film: An Interview with Sonia and Miriam Albert Sobrino. By Holley Anne Brabble
Sonia and Miriam Albert Sobrino, also known as the ALSO Sisters, are two incredibly talented filmmakers and screenwriters. They bring their unique collaboration style to every project they pursue. This style has also resulted in success and acclaim from numerous … Continue reading
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Working as a Team to Tell a Story: An Interview with Madou Elijah Diarrassouba. By Holley Anne Brabble
Madou Elijah Diarrassouba is a documentary filmmaker who started out as a college athlete before making the jump into the world of film. From his time as an athlete, he’s created a down-to-earth and determined work ethic that he uses … Continue reading
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Media Literacy and the Avant-Garde: An Interview with Mirian Tavares. By Holley Anne Brabble
For many, the study of avant-garde film is an intimidating and hard-to-navigate field. When it comes to this kind of cinema, it’s easy to feel out of your depth, but that doesn’t mean there isn’t much beauty to discover and … Continue reading
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Multicultural Heartbreak and Hilarity: Carmen & Bolude (2025). Reviewed by Holley Anne Brabble
Quick-paced and quick-witted, Carmen & Bolude (2025) is both a lighthearted good time and a deeply introspective watch. The film uses comedy to showcase a deeply multicultural world and all its nuances. The result is an exploration of themes like … Continue reading
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The Cinema Within (2024): Looking for the Magic in the Cut. Reviewed by Holley Anne Brabble
When you watch a movie, how often do you notice a cut? You might be surprised to learn that unless your answer is every few seconds then you hardly ever notice a cut at all. This is because film editing … Continue reading
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CFP 17.3 (Open Theme)
Film Matters is pleased to announce an open call for papers from current undergraduates, authors who have been invited to revise and resubmit previous submissions (including authors who did not make it past our prescreening for a previous call), and recently … Continue reading
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Streets of Colour (2023) and the Never-Ending Recovery. Reviewed by Holley Anne Brabble
Streets of Colour is a film that knows its identity and wastes no time in showcasing that identity to the audience. The film depicts a number of complex issues, such as interracial relations, community, generational trauma, and grief. The film … Continue reading
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Emotional Honesty and Socially Conscious Storytelling: An Interview with Mehmet Kaynar. By Holley Anne Brabble
In the world of film, it could be said that none are more recognized than the faces we see on our screens. Actors capture audience attention through their incredible craft, bringing characters and emotions to life. Mehmet Kaynar is one … Continue reading
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Andrew Roberts, Author of FM 15.3 (2024) Article “The Trans-Terminator: Glitch Feminism in We’re All Going to the World’s Fair (2021)”
Film Matters: Please tell us about your article that is being published in Film Matters. Andrew Roberts: My article uses Jane Schoenbrun’s film We’re All Going to the World’s Fair (2021) as a framework for discussing how openly trans content … Continue reading
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