Category Archives: Reviews
mother! (2017). Reviewed by Niko Pajkovic
Darren Aronofsky’s mother! (2017) is not necessarily an enjoyable film to watch. It is like experiencing a bizarre psychedelic trip gone horribly wrong; one, which only days later, you are able to find meaning in. It is manic, disturbing, and psychologically taxing … Continue reading
Night and Fog (1955). Reviewed by Film Matters Spring 2018 Editorial Board
Night and Fog Feview from Liza Palmer Contributors: Noah Campagna, J. Felix Carlson, Joseph Day, Alexis Dickerson, Lily C. Frame, Sean Froeb, Paige Marsicano, Andrew P. Nielsen, Ashley R. Pickett, J. Javier Ramirez, Ashley R. Spillane, William P. Sullivan, and … Continue reading
The Disaster Artist (2017). Reviewed by Jason Husak
When James Franco brought Tommy Wiseau up on stage to accept the Golden Globe for best actor in a musical or comedy, the circle for the cult film The Room had finally been completed. A cultural phenomenon since its initial … Continue reading
The Makings of a Salesman’s Death: The Salesman (2016). Reviewed by Elham Shabani
The Salesman is the story of a play that outplays a play. Asghar Farhadi’s postmodern version of Death of a Salesman portrays the true face of a developing society, in which tradition and modernity encounter in chaotic patterns. The … Continue reading
The Wicker Man and the Dangers of Zealotry. Reviewed by Nick Bugeja
Many accomplished horror films utilize restricted locales to evoke suspicion, anxiety, and dread. The claustrophobic space of the starship Nostromo appreciably contributed to the petrifying mood in Ridley Scott’s Alien (1979). In Rosemary’s Baby (1968), Roman Polanski centered the filmic … Continue reading
L’avventura (1960). Reviewed by Film Matters Fall 2017 Editorial Board
L’avventura Criterion Blu-ray Review from Liza Palmer Contributors: Catherine Colson, Jamie Foley, JT Fritsch, Sean Gallagher, Danet Grabbe, Breanna Grim, Matthew Johnson, Garrett Neal, Cheyenne Puga, Austin Grey, Ethan Schneier, Anthony Wilson, and K. M. Wise.
Groundhog Day: The Day Before Tomorrow. Reviewed by Luke Batten
“If you live each day as if it was your last, someday you’ll most certainly be right.” –Steve Jobs Phil Connors (Bill Murray) brings a whole new meaning to this carpe diem sentiment in Groundhog Day (1993). Self-centred TV weatherman … Continue reading
Pluralism as Penance: Pablo Larraín’s The Club. Reviewed by Stephen Borunda
Pablo Larraín’s unorthodox drama The Club (2015) centers on a company of dishonored parochial members that live just outside a small beach community named La Boca (The Mouth) in central Chile. While the setting of the film may be unfamiliar … Continue reading
To Choose in La La Land. Reviewed by Elham Shabani
How many times have we had to decide between two seemingly equal opportunities? Probably a great many! Such is the case with the life of the two main characters in the Oscar-winning musical La La Land. The movie was released … Continue reading
The Dissolution of Naivety is the Dissolution of Transformation: Andrés Wood’s Machuca (2004). Reviewed by Stephen Borunda
“My poor, un-white thing! Weep not nor rage. I know, too well, that the curse of God lies heavy on you. Why? That is not for me to say, but be brave! Do your work in your lowly sphere, praying … Continue reading