Film Matters announces the release of FM 11.3 ,via Ingenta and EBSCO. (Due to the ongoing COVID-19 situation, print copies will follow once the Intellect offices are back open at some point in 2021.)
In this issue, you will find the following peer-reviewed feature articles:
- “He’s Fictional, But You Can’t Have Everything”: Screwball Comedy and the Viewer’s Reality by Nolan Crawford
- “Deviant” Psychosis: An Exploration of the Production and Consumption of Queer and Transgender Women in the Films of Brian De Palma by Sam Lawson
- In Defense of What? The Battle Between Netflix and the Cannes Film Festival by Ron Ma
- The Significance of Ingrid Goes West’s Obsession with Social Media by Vanessa Zarm
- Discovering the Beauty of the Quotidian: The Contemporary Flâneur in Jim Jarmusch’s Paterson by Qingyang Zhou
These featurettes:
- “Images That Look Better Than Real Life”: Colorist Bryan Smaller on Music Video Aesthetics by Ethan Bresnick
- The Historiographical Legacy of John Huston’s Films About Psychiatry by Jeden O. Tolentino
- R.I.P. Vine: More Than Just a Six-Second Punchline by Alexis Dickerson
- Blue Moon: Representation, Independent Production Models, and the L.A. Rebellion in Moonlight by Matthew Johnson
- The Duplass Brothers: Independent Film Moguls Making Way for Aspiring Filmmakers by Cheyenne Puga
- Interview with Hometown Heroes Megan Petersen and Hannah Black, Creators of Feature Film Drought (2020) by Cheyenne Puga
- Total Arachny: An Interview with Salem Kapsaski, Spidarlings Director by Ashley R. Spillane
- This Is How It Felt: The Successful Misrepresentation of Adolescents in Dawson’s Creek by Christian E. Gainey
- Jump Cuts in Godard’s Breathless by Andrew P. Nielsen
- How Suspira (2018) Pales in Comparison to the 1977 Original, Figuratively and Literally by Hannah Sieber
- Taoism on Display in Star Wars: A New Hope by David Flaherty
- Reel Teal Film Festival by Miranda A. Sprouse
These book reviews:
- The Cinema of Louis Malle: Transatlantic Auteur, Philippe Met, ed. (2018) by Evan Dekens
- Urban Noir: New York and Los Angeles in Shadow and Light, James J. Ward and Cynthia J. Miller, eds. (2017) by Ashley R. Spillane
- Bad Film Histories: Ethnography and the Early Archive, Katherine Groo (2019) by Ben Lipkin
- Wes Anderson’s Symbolic Storyworld: A Semiotic Analysis, Warren Buckland (2018) by Olivia Outlaw
- The City in American Cinema: Film and Postindustrial Culture, Johan Andersson and Lawrence Webb, eds. (2019) by Anya Ekaterina
- Eastern Approaches to Western Film: Asian Reception and Aesthetics in Cinema, Stephen Teo (2019) by Tylen Watts
These film reviews:
- Magdana’s Donkey (1955) by Mina Radovic
- John Wick: Chapter 3 ‐ Parabellum (2019) by Jason Husak
And these DVD/Blu-ray reviews:
- Wanda (1970) by Arta Barzanji
- Japón (2002) by Leif Tystad
- Mildred Pierce (1945) in Five Frames by David Flaherty, Christian E. Gainey, and Nick Ryder
- The Virgin Suicides (1999) in Ten Frames by Anya Ekaterina, Jessica Kernan, August U. Schaller, Anna Nicole Standridge, Tylen Watts, and Andrew Steven Williford
- Magnificent Obsession (1954) by Will DiGravio
- I Wanna Hold Your Hand (1978) by Miranda A. Sprouse
For more about this issue, please visit: https://www.ingentaconnect.com/content/intellect/fm/2020/00000011/00000003
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Stay happy and healthy!
